The Rolling Stones: Gimme Shelter

Gimme Shelter is a 1970 documentary film directed by Albert and David Maysles and Charlotte Zwerin, chronicling The Rolling Stones' 1969 US tour, which culminated in the disastrous Altamont Free Concert. The film is named after "Gimme Shelter", the lead track from The Rolling Stones' 1969 album Let It Bleed. The documentary is associated with the Direct Cinema movement of the 1950s and 1960s. The Maysles Brothers, who directed it, are strong figures of the era. The movement revolves around the philosophy of being a "reactive" filmmaker. Rather than investigating a subject matter through such documentary techniques as interviews, reconstruction and voiceover, direct cinema simply records events as they unfold naturally and spontaneously — like a fly on the wall.

Kurt Cobain – About a Son

An intimate and moving meditation on the late musician and artist Kurt Cobain, based on more than 25 hours of previously unheard audiotaped interviews conducted with Cobain by noted music journalist Michael Azerrad for his book "Come As You Are: The Story of Nirvana." In the film, Kurt Cobain recounts his own life - from his childhood and adolescence to his days of musical discovery and later dealings with explosive fame - and offers often piercing insights into his life, music, and times. The conversations heard in the film have never before been made public and they reveal a highly personal portrait of an artist much discussed but not particularly well understood.

Meeting People Is Easy

Meeting People Is Easy takes place during the promotion of Radiohead's 1997 release OK Computer, containing a collage of video clips, sound bites, and dialogue going behind the scenes with the band on their world tour, showing the eventual burn-out of the group as the world tour progresses.Unlike other music documentaries, the film does not focus on the band's friendship with one another, families, or anything else outside the direct production, promotion and touring of a record. Most of the film contains footage consisting of music writing, concerts, promotional material, and abstract video footage.

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Stop Making Sense

Stop Making Sense (1984) is a concert movie featuring Talking Heads live on stage. Directed by Jonathan Demme, it was shot over the course of three nights at Hollywood's Pantages Theater in December of 1983, as the group was touring to promote their new album Speaking in Tongues.

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talking heads - stop making sense (1984) from RobinBanks on Veehd.

Pink Floyd: Dark Side of the OZ

Pink Floyd: Dark Side of the OZ is the pairing of the 1973 Pink Floyd music album The Dark Side of the Moon with the visual portion of the 1939 film The Wizard of Oz. This produces moments where the film and the album appear to correspond with each other. The title of the music video-like experience comes from a combination of the album title and the film's song "Over the Rainbow". Band members and others involved in the making of the album state that any relationship between the two works of art is merely a coincidence.

Rip! A Remix Manifesto

RiP!: A Remix Manifesto is a 2008 open source documentary film about the "the changing concept of copyright" directed by Brett Gaylor.
Created over a period of six years, the documentary film features the collaborative remix work of hundreds of people who have contributed to the Open Source Cinema website, helping to create the "world's first open source documentary" as Gaylor put it. The project's working title was Basement Tapes, (probably referring to the album of the same name) but it was renamed RiP!: A Remix Manifesto prior to theatrical release. Gaylor encourages more people to create their own remixes from this movie, using media available from the Open Source Cinema website, or other websites like YouTube, Flickr, Hulu or MySpace.

The White Stripes Under Great White Northern Lights

In 2007 the legendary American duo White Stripes toured Canada. Besides playing the usual venues they challenged themselves and played in buses, cafés and for Indian tribal elders. Music video director Emmett Malloy followed the band and managed to capture both the special tour, extraordinary concert versions of the band's minimalist, raw, blues-inspired rock songs and the special relationship between the extroverted Jack White and the introspective Meg White - a formerly married couple who for a long time claimed to be siblings. The film makes striking use of the band's concert colors: red, white and black.

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The White Stripes: Under Great White Northern Lights